the online magazine about life as a creative process

 

Toward a More Perfect Union

 

By I.J. Singh

 

 

     
 

From the day I landed in America almost half a century ago, the American Dream has been my preoccupation, as it is for most immigrants. And the “Melting Pot” has been drummed into my head as its model and goal. I have heard it preached from all kinds of pulpits – political, religious and journalistic.

But when I had been in this culture awhile I started wondering what the words mean.

It seems to me that in a melting pot the units blend irretrievably into each other. The individual identity of each element is lost. It is like the process that makes compounds out of elements, and then the compound differs radically in its properties from the individual components. In a melting pot, the largest ingredient would always overshadow all the others. This reminds me somewhat of a hostile takeover, not a model of cooperative interaction. I wonder if this is how America is.

North America is a land of immigrants. Each wave of immigrants has added inestimable value to society. That is how the society has retained its progressive spirit and its zeal. When a community becomes absolutely absorbed into the mainstream and has no longer any identifiable feature that it came with, perhaps that is when it starts losing its energy.

Then there are some observers who, in deference to the individual components of society, have proposed a model based on a tossed salad to capture our social contemporary complexity. But then I see that in such a construct, the components of a salad only rarely interact with each other, and a vigorous tossing may deliver more bruised and injured ingredients. So, that model doesn’t excite me either.

Sometimes, I have argued that the complex contemporary North American society is a mosaic. A mosaic catches the eye and retains the attention because of the intricacy of its design, and how the pieces fit with each other. In a mosaic, even the smallest piece has a place, such that the whole is greater than the sum of the parts.

Have you ever wondered how small, little shards that have little value as individual tiles, can create an enthralling whole with much magic and considerable value to it? A mosaic offers an interactive model.

Better yet, one could think of this complex society as a large multi-instrument orchestra. Notice how even the lowliest cymbal or the triangle has a place. When they speak, even the naturally dominant violins and pianos listen. When the mighty and the small talk to each other without drowning the other, the conversation becomes heavenly music. That’s how a rich performance is born. An orchestra when well and wisely led has an organic presence to it.

A lynch mob is governance by majority rule, but we would all reject it. A democracy mandates that the rights of even the smallest minority are respected. A mosaic or an orchestra requires that even the smallest bit is not trampled on, but allowed its breathing space.

What I see here is discovering, nurturing and celebrating unity in diversity, not hammering the many into one. This is how I see the meaning of “E Pluribus Unum” that is our motto, and our way to a more perfect union.

When Guru Nanak said “Ek Oankar,” he was telling us that to discover unity in the diversity of creation is to experience God.

 
     
 

 

     
 

I.J. Singh is a professor of anatomy at New York University. He is the author of four books: Sikhs and Sikhism: A View With a Bias, The Sikh Way: A Pilgrim's Progress, Being and Becoming a Sikh, and The World According to Sikhi. He is on the editorial advisory board of The Sikh Review, a Calcutta-based periodical.

 
     

 

     
   
     

 

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