the online magazine about life as a creative process

 

Garden

 

By Vulcana Wolfe

 

 

     
 

Life in Sue's garden continues even when I'm not paying attention.

The sun peels paint off the gate to my room. When I water, ants surge out of a crack caused by an earthquake, schlep crumbs from my biscotti down an aisle of bricks, like participants in a wedding parade, or like they're trying to find their way back to Argentina. Ants guarding their eggs in a flood are each a lioness staving off hyenas.

Butterflies come in droves to pry secrets from the bougainvillea. Blue jays demand peanuts to bury on the slope a block away, where a man who lives with his mother plants seeds and shrubbery to keep The 10 from slipping.

When I first saw the garden, it was May, and I thought to myself how lovely it would be to live in the little room it guards. The dragonfly lights were on, and I sipped an iced cold drink and told Sweet Meg about how my grandmother had also had cancer. I told her I could write poetry from that little room.

So, when my scar had diminished to a hair thin line, and when my fractured ankle decided to release me to the dance floors again, I moved in.

I have tea in the garden almost every morning. I push back the French doors, step onto the concrete, sit at the glass-topped table, and sip. Slowly. Just watching the garden watching me. The tiny fans of irises poking through to vouch their survival. The white stone peacock pretending to be coy. The spider that relocates its four foot web every night so I have to tilt my head every day to search for the reflection of morning
light on strands that seem to have caught my dreams.

Mosquito larvae wriggle in the clam shaped pool of a fountain that hasn't been turned on in three years. In summer, I scooped them out with real shells Sue collected from yard sales and friends. Supposedly, they die soon after hitting the ground. I feel no guilt, rather curiosity and the fuzz of Georgia peaches when I was twelve.

A rat came at night once, foraging through the thick woody vines that bridge the roof of my room and the neighbor's fence, the one behind the fig tree. In September, we picked seventeen figs the birds didn't get.

Once every two to six weeks, depending on the season, and Sue's tips, the Mexican gardener brothers or cousins come to whack and rake. They live two doors down and venture here after their exhausting day jobs to slash dandelions and five kinds of grass that grow at different speeds. You'd never know by looking at their yard that a dozen people live in that house. It's as manicured and tidy as Les Tuilleries.

I think about France, and recite words like ‘jardin’ and ‘fleur’. Sip my tea, and await the morning doves.

A shiny blue metallic ball shows the sun's passage. I navigate it carefully as though it were my own private ocean.

The hummingbirds come so close to the Christmas cactus I've hauled around for ten years. So close I can touch them. But I don't want to touch them, because I don't want them ever to leave. They hover awhile, then zip off to the trellis that holds pink roses in summer. Sometimes they just sit on a branch and talk to me. Hummingbird words. In a humming way. When they are feeling playful, they blaze invisibly across the yard and hide under the date palm fronds, nudging a few insects I can't identify.

I think of songs that have to do with gardens: Carol King's 'Tapestry', ‘Inch by inch, row by row’... I think of that film where Peter Sellers is the gardener: Being There. I grin at the violets and at how I can just 'be there' in this garden. I think how my very favorite painting hangs above the Getty's gardens, and how I miss the many gardens I have planted.

My son's strawberry patch back home in Seattle, and how he called them wumbubbas when he was two years old. There are no strawberries, though, in Sue's garden. And I haven't seen my son in four and a half years. Surely he must now be taller than the rhodies and azaleas up there. Surely he still likes berries.

I turn to other forms of light. The moon carving shadows on the 1920's siding. A crow's eye daring me to put down my book and follow. The shimmer on vinca leaves at dawn. I aim my camera at veins in leaves. I watch a beetle scamper over narcissus.

Squirrels leave a trail as the two of them rattle bushes and leap across continents. They bicker like an old married couple, but find contentment in a palmful of raw cashews I set out in front of the mostly hidden Ganesha another artist situated when her life was healing, too.

I pick mint or thyme and put them in soup or on chicken and wonder how my old valeriana plant fared. And has the white hemlock really grown to twenty feet? I don't wonder much about why the trees seem smaller here, or why things that go dormant ten degrees north still climb walls here in LA winters. The morning glories just snicker proudly.

For Christmas, I hung lights around the French doors and an ornament on my lucky money tree. The one Kathleen gave me a year ago, noting how mine was extra lucky because there were so many six-leaved branches. I tacked angels on the walls and tried to name the stars.

We had a party, and everyone found the garden at Christmas enchanting. Candles in green jars, candles in hanging frames, candles floating in the pool. And tiny lights all round, dancing to carols about Wenceslas and mangers. Myrrh burned halos around my little room, cedar absent in the boughs. My daughter said how it was so much like me, the garden in winter. I wasn't really sure what she meant. But we laughed and listened to the
garden birthing Christ.
The morning after the party, I awoke and had tea.

When I walked down the brick path at noon on Christmas day, careful not to catch my ankle in the funny lump by the gargoyle, I looked back and saw a choir of angels: a blue jay, a hummingbird, an ant wedding, and a cactus blossom like glass blown by the breath of Danu.

And the morning after Christmas, I awoke and had tea again. Watching the garden breathe, I celebrated and sipped. Slowly. Thought how the candle I'd lit at Saint Sophia's must have burned out by now.

When I first moved in, I didn't take to heart Sue’s warnings about the roof leaks and flooding floors. But after New Year's, in fifty knots of wind and with rain an Olympic competitor, I climbed the roof to lay down a tarp I'd found, spacing bricks to hold it against the storm. The garden looked smaller from the roof. But much, much greener in the wet. Seattle green, and wet.

The mornings have been colder lately. Yesterday, the smallest hummingbird ever came. I sipped my tea and listened intently as it discovered the succulent with blooms like alien heads. It's under-wings were strawberry red.

I thought about my son.
Then stopped, and sipped.
Thought about my son.

Life in the garden goes on, yes.
Even when attention isn't paying.

 
     
 

 

     
 

V. Wolfe is the pen name for Debra J. Rigas, a writer living in Los Angeles. Born in Japan, raised in Europe, she has traveled extensively across the US, Canada and the Caribbean. Ever inspired by nature, world cultures, and her talented children, she is currently serving as 'navigator' for screenwriters and filmmakers. See her website.

 
     

 

     
   
     

 

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