the online magazine about life as a creative process

 

Ecce Pater

 

by Marcel A. Duclos

 

 

     
 

When I was a child, my uncle Frederic completed his planting on the small northern New England self-sufficient farm in the month of June. Mother earth, warmed by the embrace of father sun and moist from the waters of the spring rain, was ready to be opened and seeded. She extended the invitation. The barnyard cacophony celebrated the new possibilities.

Now, my uncle knew nothing about the mythologies of the world. In my high school years, I would never have tried to impress him with my limited knowledge of world literature. And I certainly would not have mentioned to him that, for me, he epitomized the father archetype. He might have sent me out to muck the stall of his prize bull just to put me in my rightful place and incase I had transgressed the unusual liberties he afforded me as his godson. Let's say that I knew my place in the world according to Uncle Frederic.

Here was a man who knew that he was the man on the farm. Of that, he had no doubt. He had no doubts to dispel. His role was clear. He assigned it to himself. Everyone knew it. My aunt knew it. He knew that she not only knew it; but that she expected it of him as she expected that he clearly understand that she was the woman of the house. Speak of clear and defined roles. No one was permitted to interject themselves between them. No one did. No one dared. I relished the sight of the ill informed and naively brazen guest who made the slightest move. My aunt and uncle closed rank quicker and more tightly than a herd of yaks. And he was on point.

The analogy of his position on the farm did not escape him. He seeded the fields. He walked the bull that sired his purebred cows. He grounded his life as husband and father in the celebration of the archetypal mystery of sex, seeding the garden of his love.

In the years that I visited the farm, he fathered his sons and daughters, the animals and the land. He actively tended to the needs of all. Gave secure shelter, ample praise and focused attention. He demarcated the farm with wood wire and stone. He kept the unwelcome and the dangerous out and away. His 20-gage shotgun fill with rock salt ammunition hung in the mud room ready to scare even maim or kill man or beast that would be foolish enough to threaten his issue or the young of his wards in barn or meadow.

He lived his life. He rejoiced at every sign of growth. He grieved every failure to thrive, every stunted crop, and every death in barn and coup.

This is the man, who on his deathbed in a strange hospital stopped an officious nurse dead in her tract. She had busily dismissed my aunt as a country bumpkin. I witnessed it and waited. He did not miss a beat.
"Do you see this woman with the handbag on her lap", he asked as he breathed haltingly due to the effort and moving the breathing tub to the side of his face?

She turned from the bedside and pointed to my aunt.

"This woman?"

"Yes", he said. "That woman. She may not look like much to you; but let me tell you. She is the most beautiful woman in the world."

That is all he said. He did not have to say more. The unsuspecting nurse slithered out of the room. My aunt sat straight up in her chair, her eyes glistening with pride and love. His sparkling eyes locked on to hers and they made love an archetypal reality before his youngest daughter's eyes and mine.

Behold a father.

 
     
 

 

     
 

Marcel A. Duclos, M. Th., M. Ed., Professor Emeritus of Psychology, Human Services, and Alcohol/Drug Counseling, maintains a private practice in Concord, NH. His book with co-writer / clinician Connie Robillard, Common Threads, will be published at the end of this year.

 
     

 

     
   
     

 

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