the online magazine about life as a creative process

 

My Very Own Beat Scene

 

by Ray Rasmussen

 

 

     
 

The dimly lit basement of Yanni's Greek restaurant is full of poet wannabes, them dressed in second-hand scruff, me in coat and tie, just having come from delivering a lecture to a class of MBA students.

First thought, what am I doing here? Answer: I am needed here to provide balance for without me the entire room might tilt, might slide off the edge of the Earth.

Most readings are a kind of rant-rap-the military invasion of Iraq, the plight of indigenous peoples, the sins of the opposite sex [which was about being dumped].

My turn. I read a piece about the plight of my daughter suffering mental distress and drug addiction. I choke up, tears fall, telling me that I've bottled up my feelings. It seems to go over quite well with this "I'm cool because I live on the fringe of society and have a reservoir of disdain for anything normal" group, perhaps because I've mentioned the current drug rage -- crystal meth.

But, I don't feel particularly good about the piece--my critical voice warns that it's a bit smarmy, that the haiku are too contrived, that I shouldn't be writing about my daughter's plight. Oh, well. It's what I can do and that critical voice is always present, always trying to take the fun and emotional release out of writing. Regardless, I admit that when done reading a piece, however inept, I float between a bloated ego state and the mellowness of a mild depression helped along with a tote of cheap red wine.

I did think that at least my haibun aka rant was REAL, whereas many of the overlong rants that I heard from some of the readers dealt with things imagined, with things not lived.

I remember being 20-years old, a member of a Berkeley, California mob ranting against the war in Vietnam. That was REAL because we were carrying our draft cards, forced on us by a nation engaged in an undeclared, and illegal war that we didn't believe in.

Home from the reading, the two cats that I share a home with appear when I enter the kitchen. They gaze skyward, as if praying to a cat god in the ceiling, their heart-felt mewing easily falling into the REAL rant form--the very kind of praying one can see on TV evangelical programs. I'd like to think that they were acknowledging me for my feat of reading poetry in public, but I know that they are simply looking toward the cupboard where the cat treats are safely stored.

Overwhelmed by their entreaties, I extend my hand, the desired treats in my palm. You see I have mellowed and made peace with the fat-cats of the world, indeed ...

though small,
I am the cat god
of abundance

 
     
 

Self-portrait
by Ray Rasmussen

 

     
 

Ray Rasmussen is a photographer who lives in Edmonton, Alberta, Canada. He spends a good deal of his outdoor time in Canyonlands National Park, Utah and in one of Canada's most remote and untouched provincial parks, Willmore Wilderness just North of Jasper National Park. He writes haiku poetry and its related forms haibun [prose plus haiku]. He is also active in creating haiga [haiku plus images]. In a previous life he was a University Professor. See website.

 
     

 

     
   
     

 

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