the online magazine about life as a creative process

 

Clearing out the office

 

by Ray Rasmussen

 

 

     
 

One week left as Department Head, seven days left in a 35-year career. It’s clearing out day, the day I’ve set aside for getting my office ready for someone else.

I start with the file cabinets. So much information, so painstakingly filed. What to keep? Nothing! It all goes into the recycle bins. Next the books. What to keep? Nothing. All boxed off to the library. Now the computer. I erase all the files, disconnect it.

That was the easy part. Next come the mementos covering one wall. Should I keep them? A friend’s voice comes to mind: “Your daughters will want them one day,” she says. One day? I think she means ‘one day when I’m gone.’ Is that day so near?

There’s a drawing done by a local artist. It depicts one human and a variety of animals sitting at a round table. Ah, those heady days when I thought that environmental issues could be solved by bringing all the partners to the table, government and industry officials, local residents, hunters, ranchers, indigenous people and environmentalists to speak for the critters and their habitat. Ten years, one new park, a hundred failures, one drawing – those were the outcomes. Pity the critters. Perhaps I should burn it.

Several mementos are teaching awards. The most precious are those given by the students and the one national level honor. I don’t know whether any of it mattered. I do know that I’m always embarrassed when I run into a middle-aged man or woman who holds out a hand and says, “You probably don’t remember me, but I had you for a class when I was at university.” The person always looks much older than I feel. I take the proffered hand, shake it, say something like: “I don’t – I hope it did you some good.”

I consider the plants. Friends gifted me with plants and planters in celebration of moving in. One plant is long dead. I can’t really say when it died … it may have happened suddenly, during one of those interminable meetings where egos reign and little is accomplished. Or perhaps it died a slow death as it became clear that we would never be a close knit group of associates working in support of one another. In the end, we were simply people moving past one another on our way to someplace else.

Then there’s the philodendron. It started out as a twisted sprig. As it grew, it continually fell over and I had to tape it to a support stick. I always thought of it as being about optimism, about becoming. For some reason, I grew fond of this hapless plant that lived on despite my neglect. I’ll give it to someone who will take good care of it.

There is one painting I will keep. Done by a Chinese artist, it depicts a cliff interlaced with trees and a waterfall. Whenever I was away from this office, I was most often in the wilderness, walking, riding a horse or paddling a canoe. It served as a reminder that there are other places, other ways of being.

On the desk are two photos. One is of my wife and two daughters, arms entwined. When I moved in, they were close and oh so young, but the teen years and drugs wreaked considerable damage. I imagine that they will recover one day, will once again embrace each other, but not one day soon, and possibly not soon enough for me to know.

Another image is of my mother and father standing near a large oak tree. My mother, an orphan just married at age 20, smiles and looks towards my father, some 10 years older than her. Her hand reaches out, just touches his sleeve. A shy Dane, he looks away from the camera, away from her.

I look out of the window, away from the near empty office, toward the mountains.

In the reflection, I see my father’s son.

a long winter--
yet how quickly
the snow melts

 
     
 

 

     
 

Ray Rasmussen is a photographer who lives in Edmonton, Alberta, Canada. He spends a good deal of his outdoor time in Canyonlands National Park, Utah and in one of Canada's most remote and untouched provincial parks, Willmore Wilderness just North of Jasper National Park. He writes haiku poetry and its related forms haibun [prose plus haiku]. He is also active in creating haiga [haiku plus images]. In a previous life he was a University Professor. See website.

 
     

 

     
   
     

 

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