the online magazine about life as a creative process

 

The Color Kittens, The Next Generation

An unauthorized sequel to the 1949 classic story written by Margaret Wise Brown and illustrated by Alice and Martin Provensen.
 

By Sandy Kinnee

 

 

     
 
The following can be read by itself, or as a continuation of the "Loving Colors" story in the previous issue.

Oh playful kitties, oh Hush, oh Brush, oh irresponsible artist kitties!

To recap the original tale, the Color Kittens: Hush and Brush, wanted to make green paint. By trial and error they mixed one primary color with another and observed, comparing the resulting product to a range of natural objects of known colors. For instance, after mixing blue and red they saw it made the same color as plums and Impressionist shadows: purple. To their eyes yellow and red blended into a mixture that looked like both oranges and bumblebees.

By process of elimination they eventually produced the color they most craved, a green that fulfilled all their color fantasies. Along the way toward their goal, they broke from primary colors and added white and black.

Fortunately, Hush and Brush, the two color kittens, suffered no ill effects as a result of their escapades, despite their use of one gallon buckets of oil based paint. Latex paints were not commonly available in 1949, so the Color Kittens would have had to use the more dangerous oil paint, loaded with nasty solvents and lead. Studies show that prolonged exposure to lead, a common ingredient in oil based house paint, and the breathing of paint fumes, can precipitate serious health consequences. Curiosity didn't kill the kittens, in this case.

The kittens' finale in the book, spilling large quantities of paint upon the ground, has positive and negative connotations. The event represents both an environmental disaster, the intentional dumping of multicolor, hazardous chemicals, and anticipates the work of painter Morris Louis'
poured veils of color on large canvases. But that was then and this is now.

The color kittens, being felines, had nine lives and made the most of them. Hush and Brush grew into color cats and produced countless progeny, a few of whom followed in their famous paw prints. Hush's great grandson was called Spike. Spike was a painter of large scale acrylic paintings on well primed stretched canvas. The paintings were abstract and magical, filled with a joyous celebration of color. The grandchild of Brush was the aptly-named Mr. Lady. Mr. Lady held advanced degrees in physics, chemistry, psychology and was a practicing ophthalmologist. Mr. Lady was fixed. Together they revived the family tradition that their famous ancestors had forged in the field of color study.

Clank & Bang - Color Kittens V4.5 to the rescue!

The wheels of the world of commerce are lubricated by the desires of the public. What happens if the big wheels behind the steering wheel of commerce don't know what color their customers desire? Well, that's just not going to happen because smart business tycoons already know the desires of their customers ahead of time, because they've purchased the services of a color forecaster!

And can you guess who the best color forecasting consultants in the business might be? Yes. It's Clank & Bang, a.k.a. Color Kittens V4.5. That would be Spike Bang and Mr. Lady Clank.

The service they provide is designed to anticipate changes in color preferences in the general public. They predict which colors will be popular during the next production cycle, so that hot pink doohickeys could be produced if the doohickey buying clientele express a strong preference for things colored hot pink. Conversely, blue jean manufacturers might be warned to make a different shade of denim, if color forecasting predicts a shift in taste to something specific.

Our new generation Color Kittens were searching for different green to make themselves happy. They were looking for the next "green" to satisfy the demands of public taste. What might make them happy was not a consideration, not an issue. Generating data which could be analyzed and converted to marketable information was the point. Basically, the method was to produce a collection of subtly different colors which would be shown to, tested upon, large sample groups with the hope of determining which colors created positive reactions, more positive than other colors. These colors would then be identified as "the" colors to "invest" in, or place secure bets on, for their attractiveness to the acquisitive population. In exchange for their predictions, the Color Kittens would get lots of "green" wampum.

But how is it that our color kittens can be relied upon for accurate predictions? Well, as they, themselves state, they do not claim to be 100% accurate. What they do produce is the most trusted projection founded on sound testing and in-depth analysis. That still sounds like they just mix some colors together, put the mixtures in front of some people and announce the results. The mystery of the thought underlying it all reveals itself as Spike, and the aptly-named Mr. Lady, allow us to tag along on the journey. As Spike explains, the perception of color is dependent upon a light source, an object's ability to absorb and reflect certain wavelengths of light, and receptors in the beholder (whether it is a cat or a bee or a human) to pass the data on to the brain and translate it into color. The most often overlooked aspect of received color input is what use the receptor will make of the information.

Mr. Lady points out that a bee's color needs relate to survival and not pleasure. A dog's color perception is virtually non-existent, by traditional theory, making smell and sound of more significance. A color book written by dogs would have three pages, one black, one gray, one white. For example, fictional Color Puppies want to make their favorite color gray. They knock over a can of white paint and a can of black paint and run around in it for awhile. They get tired and fall asleep. The end.

In truth, dogs do perceive and can differentiate colors. Scientific studies have shown that dogs have fewer cones and those are distributed more like in the eye of a red/green color blind human. Canines are capable of seeing and recognizing color, but they don't concern themselves with color. Color plays no role in a dog's world. Smells and sounds are far more critical. A dog would definitely NOT have a favorite color. A favorite smell or sound, perhaps.

Nonfictional cats possess the optical equipment necessary to see in color. Thus far scientific studies have not succeeded in training a cat to tell the difference between blue and yellow. We know cats are easily litter box trained. Some have been trained to stand on a toilet seat.
But when it comes to colors, while they probably can see as well, or better than dogs, they do not rely on color for survival. Cats are thought to perceive sensations beyond the limits of human eyes. Humans can get a sense of this ability by observing any cat. Humans will notice the cat follow beams of light and seem to track objects invisible to human eyes. Maybe they can see infrared or beyond the limits of human vision, just as dogs can hear those high pitched whistles. It has been falsely reported cats prefer green. Recall that neither Hush nor Brush actually said they felt one way or another about green. Their "search for green" may have only been a misinterpreted example of kittenish curiosity. In truth, cats neither like nor hate one color over another.

Bulls, however, seem to hate red. Perhaps it makes them mad that this is the only color they are able to see. One other species is known to have emotional responses to color.

Homo sapiens access only a portion of the full spectrum, which we identify as the "visible spectrum." Within that spectrum, a narrow band of wavelengths are identified within the "white light range" as green, yellow, orange, red, violet, and blue. Humans make use of the visible spectrum for keys to survival, pleasure, identification, and numerous applications. Unsubstantiated claims have been made that colors can trigger human emotions.

Seeing red, being green with envy, and feeling blue are hackneyed attempts to tie emotions with colors. One does not become sad while looking at blue, neither will red enrage a sane person or the color of green make one envious. "Oh, you must have been in a black mood when you wrote that", chuckled Spike. Interestingly, while human individuals can claim color preferences, they can also develop color aversions, and undergo a change in color taste. This is the ongoing quest of color forecasting: to discover the early signs of a cultural shift in color taste. What subtle prismatic phenomenon will become more pervasive with a large segment of the population? Which colors and shades will be fashionable next season? Will pink be the “new black”? Or will black be the “new black”? Are we finding clues which predict a transition, or are we creating a "must have" desire amongst consumers of doohickeys? Spike and Mr. Lady purr and pounce as they provide you with their data and analysis.

Is it not enough to remind you that cats neither love nor hate particular colors?

 
     
 

 

     
 

Sandy Kinnee is an artist whose work figures in the collections of many museums, including the Metropolitan Museum of Art. He lives in Colorado Springs. See website.

 
     

 

     
   
     

 

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